Rising attendance at museums, along with increased press coverage in the age of the international biennial and the ‘blockbuster’ exhibition, has translated into a growing interest in how exhibitions are made. The new curatorial studies programmes springing up across Europe and North America often deal with theoretical issues, yet one of the central questions of curating frequently remains unframed: What makes an exhibition great? In this book, fourteen essays by active curators and historians address the issue head-on.